Language as a Bridge: Navigating Cultural Divides and Generational Gaps in Francis Imbuga’s The Burning of Rags and the Return of Mgofu

This paper analyzes the use of language as a means to bridge cultural divides and generational gaps in Francis Imbuga’s plays “The Burning of Rags” and “The Return of Mgofu.” Imbuga employs a hybrid linguistic approach, drawing from both English and native African languages, to effectively capture the complexities of cultural conflicts arising from the intersection of traditional and modern values. The language choices reflect the generational divide, with the older characters using more idiomatic expressions rooted in African traditions, while the younger generation incorporates Western influences. Imbuga skillfully utilizes language to characterize individuals, positioning them along the spectrum of old and new. Moreover, the use of the journey motif and symbolic names reinforce the themes of reconciliation, remembrance, and the significance of preserving cultural roots while embracing progress. Through his deft manipulation of language, Imbuga navigates the intricate interplay between African and Western cultures, advocating for a harmonious coexistence that embraces modernity while retaining the essence of traditional values.